俄罗斯超级女模特！电影质感媲美油画的大美摄影

中国影响力艺术人物学术研究与交流平台

安德烈·雅科夫列夫和莉莉·阿列娃

俄罗斯摄影师作品

古典绘画、荷兰静物画、传统的民间意象、装饰艺术的影响和高级时装在非凡的作品中相互碰撞，为艺术组合安德烈·雅科夫列夫和莉莉·阿列娃带来了国际认可。

他们的作品在同等程度上结合了他们的个人才能；艺术总监阿列娃设计和设置场景，雅科夫列夫为他们拍照。

构图、色彩和概念是两人作品的三个主要组成部分。对于后者，他们有一个非常具体的方法。

有趣地借鉴艺术史，将传统图像翻译成现代图像——这就是雅科夫列夫和阿列娃的作品如此强大的原因。

INTRODUCTION

Classical painting, Dutch still lifes, traditional folk imagery, Art Deco influences, and high fashion collide in extraordinary compositions that have brought the artistic duo Andrey Yakovlev and Lili Aleeva international recognition.

Their works combine their individual talents in equal measure; Aleeva, the Art Director, designs and sets the scenes, and Yakovlev photographs them.

Composition, color, and concept are the three main components of the duo’s work. When it comes to the latter, they have a very specific approach.

Playfully constructed references to art history, the translation of traditional images into modern ones – that’s what makes the works of Yakovlev and Aleeva’s so powerful.

Gallery

Clear facial features and a piercing look. Dress, headscarf, and lips the same impressive shade of red. Upon first glance, the composition appears to be as simple as its name: “Girl with a Fish”.

On closer inspection, however, the artists’ finesse emerges: We notice the silvery sea bream is resting on nothing less than a piece of tissue paper decorated with the famous Louis Vuitton emblem.

The color, composition, and materiality are suggestive of the Russian avant-garde movement, and the image is reminiscent of Kusma Sergeevich Petrov-Vodkin’s “Girl in red headscarf”.

While “Girl with a Fish” impresses through its minimalist style, other works in the Gallery series are characterized by opulence. The artists present two classic beauties in silk dresses in front of a table laden with culinary delights.

Facing the viewer, the models are enigmatic and mysterious. Nothing in the image is left to chance; carefully draped, the curtains and tablecloth complete the composition. The photo’s subjects evoke the paintings of Jan Vermeers and Pieter Claeszs.

The Triumph Of Form

The pieces in the Triumph Of Form series were inspired by the paintings of Tamara de Lempicka, who was renowned for her Art Deco portraits of aristocrats and members of high society in the ‘20s and ‘30s.

While creating this series, Yakovlev and Aleeva perfectly incorporated de Lempicka’s highly-stylized painterly effects into their technique. Using rich materials, they emphasized the models’ seductive expressions.

These works exude luxury and glamor – characteristics of the Art Deco era – which sends us on an emotional journey through time.

Hannah Hr

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