沐浴的俄罗斯少女画得好惊艳，有光有色有笔触

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艺术家作品专辑系列

阿勒森·库尔巴诺夫

生于1969年

俄罗斯当代著名油画家

1985-1988年

就读于达吉斯坦杰马拉艺术学院

1988年就读于列宾美术学院

1994年

毕业于列宾美术学院涅普林采夫工作室

1995年成为俄罗斯美术家协会理事

2010年成为圣彼得堡美术家协会理事

2008年执教于列宾美术学院，获得荣誉教授称号

并在深圳大学担任

列宾美术学院分院招生办主任一职。

人物与肖像作品

1997年作品

“我的俄罗斯-我的世界”获得教科文组织竞赛奖

2005年作品“最精彩的静物画”荣获美国艺术沙龙奖

作品被国内外博物馆及私人藏家所收藏，

其中包括：芬兰兰坦时代博物馆、

马哈奇卡拉造型艺术博物馆、美国莱尔芬利收藏馆、

北京当代艺术馆、挪威格林采兰德博物馆等。

库尔巴诺夫最喜欢的主题是童年、青春和女人的美丽。他喜欢仔细研究面孔和物体。他对美的理解是物质与精神的结合。

他的画充满了庄严、雄伟的节奏。他所描绘的人或物似乎有一个特定的时间跨度，它们不是瞬间的，也不是瞬间的；它们闪耀着永恒的光芒，即使是朋友的肖像或是简单南瓜的静物。

艺术家把古典肖像的程式带到了终极的、纯净的状态，消解了时间和地点的具体性，社会地位或职业归属的标志。

Kurbanov's favorite themes are childhood, youth, and the beauty of a woman. He likes carefully study faces and objects. His understanding of the beauty is in the connection of the physical and material with the spiritually significant. He does not correct the "wrongness" of reality, but spiritualizes it.

Arsen Kurbanov was born in Makhachkala, Dagestan to artist parents Hairullah Kurbanov and Galina Pshenitsyna.

In1988 he completed coursework at the Jamal Dagestan Art College, receiving a red diploma -- a symbol of scholastic excellence. Kurbanov was immediately accepted into the Repin Institute in St.

Petersburg, where he studied with the late Neprintsov. He graduated from the Repin in 1994. Kurbanov strives to combine the techniques of the old masters-Pieter de Hooch and Vermeer are two of his favorites with a contemporary, personal sense of imagery.

Biblical and historical references appear alongside modern elements in his paintings, often producing an atmosphere of mystery. Portraiture commands a prominent position in his work.

His portraits are intended to be compositions in their own right, in addition to presenting precise, almost photographic likenesses of the sitters.Since graduation Kurbanov has been painting in Russia and abroad.

There is no fuss in Arsene's works. His paintings are filled with solemn, majestic rhythm. There appears a specific span of time, people or objects that he depicts are not momentary and not transient; they shine through eternity, even if it is portraits of friends or still-lifes with simple pumpkins.

The artist bringsthe formula of the classical portrait to the ultimate, purified state, dissolving the concreteness of the time and place, signs of social status or professional affiliation.

One of the recurrent images is a door, tightly closed or slightly opened by a child (series 2006). The door as a symbol of the separation of the worlds as the line hiding the secrets of life and death or as a set of the inconceivable meanings.

That's why the artist shows the church doors very often. And, at the same time, there may be the doors of old houses, heavy, exquisitely decorated, but worn out by time, that gives them a special picturesque texture.

Arsen Kurbanov builds a system of expressive means, finely balancing all the components. The plot, the careful study, the attention to the details, reality, the seriousness and complexity of the content does not go into pathos and illusiveness.

The analytic approach goes together with emotions. The artist employs all the classical art heritage and has much to tell to his audience.

The twentieth century was highly concerned with the novelty, which was a kind of self-identification and self-expression of the individual.

The desire to be different from others by all means, gave the aspiration to destroy existing artistic systems, to find their own rules and laws. But, as it turned out, self-expression and uniqueness are easily and naturally found in canonical artistic languages.

The tree of tradition is eternally green, revealing the contemporary through the past (or rather, the eternal). And this statement fully explains the phenomenon of Arsen Kurbanov, who becomes one of the notable personalities in the artistic life of the St. Petersburg academic school, and also the artistic life of Russia in the first decade of the XXI century.

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