一支铅笔画超写实美女，极致的美惊艳了世界

中国影响力艺术人物学术研究与交流平台

全球艺术家作品专辑系列

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人物作品

具有摄影写实主义诗学的具象艺术家

在世界各地举办展览

1983年出生于米兰的加巴格纳特。

他就读于布雷拉学院，但感觉生活在同一艺术颓废，他放弃了学院六个月后。2007年，继续感受到艺术成长的渴望和需要，在马里奥·多尼泽蒂大师的学生吉安卢卡·科罗纳的工作室学习和工作，学习了文艺复兴时期流传下来的油画技巧。

致力于艺术技巧的研究和不断提高其表现能力的探索。2018年，伊曼纽尔·达斯坎尼奥成为青年大师，他是世界上最有成就的绘画艺术家之一，他的作品是著名野山羊作品系列收藏的一部分。他的作品在世界各地被私人收藏

Emanuele Dascanio was born in Garbagnate Milanese in 1983.

He enrolled at the Academy of Brera, but feeling of living in a decadent for the same art, he abandoned the academy after six months. Continuing to feel a desire and the need for artistic growth, in 2007 studied and worked in the atelier of Gianluca Corona, student of Master Mario Donizetti, finding in him a good teacher and learning the technique of oil painting as it has been handed down from the Renaissance.

He has participated in various competitions and exhibitions at national and international ranking near the top.

Devotes much time to the study of artistic techniques and the search for continuous improvement of its expressive capabilities. In 2018 Emanuele Dascanio become an IBEX MASTER, considering one of the most accomplished drawing artist in the world, his artworks are part of prestigious IBEX COLLECTION. His works are in private collections in all over the world.

Indisputably the most accomplished graphite artist in the world, Emanuele views his drawings as a symphony, where all the dots and lines interact to form an image and a message from the depth of his soul.

This Italian artist, who now works and lives in Belgrade after years in Berlin, regards himself as a “creator” who reads and writes, and dabbles in music and painting, which all feeds into his greatest passion and talent: graphite drawing, an art form in which we think he is literally second to none.

Inquisitive and curious like a child (but with a wisdom beyond his age), Emanuele never tires of studying and trying out new techniques. Yet, he is laser-focused on drawing in charcoal and graphite on paper, his media of choice.

From his apprentice days in the Bergamo studio of Gianluca Corona until this day, he has clocked up over 50,000 hoursperfecting his art—and perfect it is: arresting black-and-white portraits with intensely speaking eyes and the occasional full-color still life with an unexpected power to enthrall the viewer.

Even though his hyperrealist works require almost medieval amounts of painstaking labor (upward of 700 hours a piece is no exception), they have a decidedly contemporary feel: his subjects are often wise men or pensive women that you may encounter in the street, in the forest—or in your dreams for that matter, because they tend to have a whiff of magic and mystery about them.

Emanuele’s research and introspective personal style keeps evolving and is constantly in the process of redefining what graphite and charcoal drawing represents today.

Emanuele’s art is slowly and intensely made and is best savored in the same way.

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