毕业季｜SIVA艺术与科技（交互媒体艺术）专业2022届毕业作品展（上）

似水流年，又是一年临别时

但毕业不是终点

相反，它是下一段旅程的起点

道固远，笃行可至

事虽巨，坚为必成

愿你们在下一段旅程中不忘初心

看护好最初的激情与理想

前程似海来日方长

大师毕业寄语

“2022届的同学们大家好，祝贺你们毕业了！毕业前夕，疫情带来了前所未有的挑战，然而你们攻坚克难走出了困境，在毕设项目中取得了出色的表现，你们在创作过程中的坚定决心让我们打开世界，开阔思想，振奋精神。祝贺你们！

在科智艺术的语境下，与其说艺术是观看世界的窗口，不如说艺术更像是一扇门，让观者可以通过艺术之门介入到一个新的世界，新的想法，新的可能，新的技术，甚至新的存在方式。这才是艺术家要扮演的重要角色，我相信你们会非常成功地承担起这个角色。

我想感谢德稻所有的教育者和工作室的老师们对你们的帮助，但最重要的还是你们自己的决心和能力让你们取得令人如此欣喜的成果。我向你们致以最热烈的祝贺。同学们，奋勇前进吧，服务国家，奉献人民，最重要的一点，请通过艺术所赋予你的，把爱带给这个世界。

再次祝贺你们毕业了，也祝你们未来一切顺利！”

—— 罗伊·阿斯科特

2022届毕业创作作品展示

超燃！TA毕设混剪视频

01

作品名：上行轨迹 Uplink Trajectory

作者：杨若楠Yang Ruonan

指导老师：陈俊恺Junkai Chen

上行轨迹是基于舞台戏剧的动力装置。机械化工作麻痹了人们对新鲜事物感知的神经并割裂了人类与现实生活。上行轨迹构建空洞、机械的类人物体，通过机器对话构建荒诞状态，探讨身份的独特性与存在的合理性。

The Uplink Trajectory is based on the dynamics of theatrical theatre. Mechanised work has paralysed people's nerves to perceive new things and severed human beings and reality. Uplink Trajectory construct hollow and mechanical human-like objects, building absurd states through machine dialogue, exploring the uniqueness of identity and the rationality of existence.

02

作品名：园院 YuanYuan

作者：上官雨琦 Shuanguan Yuqi指导老师：袁可如Keru Yuan

每个人都有他们独特的记忆。《园院》用碎片化的空间构建，截取“我”的记忆中具有意义的空间图像，用文本链接——如同记忆中城市空间的血脉，延展、相融、隐蔽、暴露，链接着影像里的方方面面——时代，城市与个体。

Everyone has unique memories. The Garden Courtyard usesfragmented spatial constructions to intercept meaningful spatial images from"my" memory, linking them with texts - like the bloodline of theurban space in memory, extending, merging, concealing and exposing, linking allaspects of the images --The Times, the City and the Individual.

03

作品名：穿过这段连续的此刻 Through These Continuous Instants作者：肖文烨Wenye Xiao指导老师：黄选阳Nolan

作品以东北过去的厂区、背后的市场改革历史和厂区的兴衰起落，多层次呈现这片由记忆与想象构建的厂区的过去和不定的未来，个人及集体的时空遭遇。他们是有着独特纹理的个体,他们会在我们深入回顾过去时出现的虚拟空间中与我们的目光相遇。时代终将走向终点，归乡的人们会在尽头相逢。该作品获得了fibre “孤岛和广袤大陆人与物质的联系”线上数字艺术作品三等奖。该作品获得了fibre “孤岛和广袤大陆 人与物质的联系”线上数字艺术作品三等奖。

Based on the past plant area in Northeast China, themarket reform history behind it and the rise and fall of the plant area, imagesand installation present the past, present and uncertain future of the plantarea constructed by memory and imagination, as well as the time and spaceexperience of individuals and even collectives. They are individuals withunique textures and will meet us in the virtual space when we look back indepth. The era will eventually come to an end, and people returning hometownwill meet at the end.This artwork was awarded in the online digital artwork competition organized by fibre.

04

作品名：采摘假想 A Picking Hypothesis

作者：聂贝函冰Nie Beihanbing指导老师：宝丽鑫 Mujin

该项目创造了一个不确定性的拟沙漠系统。结合“采摘”创新性地构建了一种通感方式，使连接性、参与性和生成过程以新的意义组合。该假想打破了科学、设计、科幻、生态等的界限，以激发人们探寻结果的好奇心和采摘欲。

The project creates a desert-like system of 网址未加载bined with 'picking' an innovative construction of an empathic approachallows for a new meaningful combination of connectivity, participation andgenerative processes. The hypothesis pushes the boundaries of science, design,fantasy and ecology to stimulate the curiosity about the final result and thedesire to pick.

05

作品名：天天赚大钱/How to Use People'sAttention to Make Money

作者：李婧 Lee指导老师：黄炜 Huang Wei

作品试模糊虚拟与真实、严肃与娱乐的界限，将现实中的元素抽象化呈现于游戏中，企图为玩家带来不一样的游戏体验，以及引发玩家对当下数字平台、数字劳工与用户之间现状的思考。

This game attempts to blur the boundaries between virtualand real, serious and entertainment, and abstracts the elements of reality intothe game, in an attempt to bring players a different gaming experience, as wellas arouse players’ awareness of current digital platforms, digital labor andusers. thinking about the status quo.

06

作品名：审判 The Trial作者：李丰旭 Scarlet Li指导老师：袁可如 Keru Yuan

作品从父权社会、男性的凝视、社会规训、拟象仿真等角度讨论女性焦虑的社会问题。通过六位女性的讲述，将观者作为被批判的对象并启发观者进行自我反思。

The artwork discusses the social problems of female anxiety from the perspectives of patriarchal society, male gaze, social discipline and simulation. Through the narration of six women, the audience is regarded as the object of criticism and inspired to reflect on themselves.

07

作品名：Tulpa作者：黄子玥Huang Ziyue指导老师：宝丽鑫Mujin

一名艺术家在手术中不幸身亡。主持人与六位艺术家的Tulpa齐聚一堂。对艺术家生前留给Tulpa的艺术作品，进行讨论，一场围绕着艺术家生前作品的批判大会开始了。在网络空间聚集在一起，以精神伙伴的视角去谈论艺术家从留给他们的信物，延伸讨论母体关系、社会身份与身体暴力中所受到的伤害。

An artist tragically died during surgery. The facilitator gathers with six Tulpa of the artist. A critical talk in discussion of the artist's artworks began. Gather together in cyberspace to talk about the injuries suffered by artists in maternal relations, social identity and physical violence from the keepsake left by artists from the perspective of spiritual partners.

08

作品名：痂 Scab

作者：王晓晓 Wang Xiaoxiao指导老师：王家明 Wang Jiaming

该项目由图像，声音和装置构成，围绕着一个共同的科幻叙事——近未来的一场因工业污染爆发的皮肤传染病。作者使用科幻的手法来虚构一场皮肤性传染病，而这场疾病更像是对人类过往传染病的一次组合，作者以此来探索灾难发生时因逃逸的困境而引发的个体记忆。

The project consists of images，sound and installations that revolve around a common science fiction narrative - a near-future outbreak of a skin infection due to industrial pollution. The artist uses science fiction to fictionalize a dermatological epidemic as a way of exploring individual memories triggered by the event of a disaster.

09

作品名：境 Boundary作者：黄珊Huang Shan指导老师：陈于飞Chen Yufei

作品以社会存在的问题为基点，试图探寻关于大学生初出茅庐时产生的一些问题和困境思考。利用齿轮作为概念，来模拟当下的环境与毕业生的困境，思考存在的意义及打破对自己的怀疑。

Based on the problems existing in the society, this artwork tries to explore some problems and dilemmas of college students when they graduate and enter society. Use gear as a concept to simulate the current environment and the plight of graduates, think about the meaning of existence and break the doubts of themselves.

未完待续

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来源：德稻集群、新媒体艺术学院